ATHEIST Frontman: CHUCK SCHULDINER Did Not Create Technical Metal
The new issue of Brazil's Roadie Crew magazine includes an interview with singer and co-founding member Kelly Shaefer of reactivated seminal technical metal pioneers ATHEIST. During the chat, Shaefer gave his opinion on the roles that some of the other late Eighties and early Nineties bands played in the development of progressive/technical extreme metal. A couple of excerpts from the chat follow below.
On CYNIC's "Traced In Air" album:
Shaefer: "It's difficult, because you can't help but look at the history of a band when they make a record fifteen years later. I mean, you can't help but think on how they used to be then. What CYNIC did in their new album is very interesting. I think they had a lot of artistic balls, so to speak. They really kind of went in a different direction, and you know, I'm proud of them for that. I personally as a fan would have loved to see them make more of a metal record. That's the CYNIC that I really loved. But I'm very proud of the landscapes that they have created musically. I've always believed in those guys since we first recorded our demo together back in the late Eighties. I always felt they were one of the most talented set of guys on the planet."
On PESTILENCE:
Shaefer: "PESTILENCE made a great comeback record, but I don't think that they deserve to be mentioned in that movement (technical metal). I don't feel like anything they were making was really visionary or technical in any way, to be honest. I've talked to Patrick Mameli [PESTILENCE mainman] about this. That's my honest opinion. I'm not trying to hurt anybody's feelings. That's how I feel about it. I'm sure many will disagree, but I'm sure many will also agree that bands like SIEGES EVEN deserve more credit than PESTILENCE. WATCHTOWER deserves more credit than PESTILENCE. WATCHTOWER was probably the first band that made we all realize that that kind of musicianship was possible within the realm of metal. We just took it a little further and made it a lot heavier."
On DEATH and Chuck Schuldiner:
Shaefer: "Chuck obviously is super-important to anything that has an extreme metal tag, and that includes technical metal. But technical metal was so different than what he initially started or from what he is sort of the grandfather of. I knew Chuck and all my friends knew Chuck. He was very passionate and very much a pioneer of… I mean, he was very ballsy to call his band DEATH in the mid-Eighties. That alone was a huge thing that you have to respect, and I always did, and I think that all of us do. But when we talk about… when we first started, we had the same manager, and we would hear stories… When we played shows in Tampa with DEATH, Chuck would say things about us like that we were so noisy that we sounded like a train station. It was strange to hear that, because we were just a demo band at that point and we couldn't understand why he was slagging us off. I think he just didn't understand what we were doing. At the time, he didn't think that jazz should have a place in metal. He even said that jazz shouldn't have a place in metal on many occasions. He would say that we didn't listen to metal at all and that we just listened to jazz. No! That's just false. There was a lot of kind of a spirited competition. I think that's where he was coming from. Chuck was really worried and protective over this kind of music and he should be. He really stuck his neck out for it. However, I think once he got a little older, once he jammed with Paul and Sean from CYNIC, he changed his viewpoint and he realized that musicianship is everything. The bands that we all grew up with… IRON MAIDEN, JUDAS PRIEST, those guys are all great players. He also grew up on those bands. I think he realized that technicality and incorporating different influences was not necessarily a bad thing.
"I think it's important that the young metal fans know that Chuck Schuldiner is very much responsible for extreme metal, and extreme visuals in that genre. However, ATHEIST comes from a whole different place, and Chuck didn't have anything to do with where we come from. I don't say that to slam him in anyway. But we had our own thing, we did our own thing, we are still alone on a street corner of metal that was not embraced when we first made this kind of music.
"In a lot of years of DEATH, obviously, Chuck did embrace technicality, and, of course, that for he being in a much larger band than us, if people don't tell the story correctly, it appears that DEATH was at the forefront of this. They weren't. There were ATHEIST and CYNIC who were basically there.
"Everybody has a branch on the tree, and Chuck was definitely a thicker branch on the tree, a very important part of what we all do. We owe him a great deal of gratitude for being the pioneer that he was. I have a lot of respect for what he's done and accomplished. But truth and matter of fact is that technical metal was not created by Chuck Schuldiner."
http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=158130
hardrock news
Sunday, May 15, 2011
ALICE COOPER: Performance Footage Of New Song
ALICE COOPER: Performance Footage Of New Song
Alice Cooper performing a brand new song, "I'll Bite Your Face Off", during his current tour can be viewed below.
Due next year, Cooper's long-awaited new album, "Welcome 2 My Nightmare", features the original "Nightmare" tandem of Steve Hunter and Dick Wagner, with Vince Gill guesting on a track called "Runaway Train". In addition, surviving Cooper band members Michael Bruce, Dennis Dunaway and Neal Smith appear on the song "When Hell Comes Home".
In an interview with Billboard.com, Cooper said about the forthcoming CD, "I had an idea to do a part two to (2008's) 'Along Came a Spider'," Cooper says. "I came to [producer] Bob [Ezrin; PINK FLOYD, KISS] with it, and he listened and goes, 'Eh. I would be more excited if 'Along Came a Spider' was a No. 1 record.' He wasn't really into it. Then we started talking about 'Welcome to My Nightmare''s 35th anniversary or something like that, and he said, 'What if Alice had another nightmare?' All I was trying to do was get Bob to say, 'Yeah, I want to produce the album,' so we found a place where both of us really felt comfortable, and that was doing 'Nightmare 2'."
"There are certain songs where we let some of the themes from (the original) 'Nightmare' slip in," Cooper told Billboard.com. "All of a sudden you'll hear the little piano part from 'Steven' or from 'The Awakening'. I wanted (the albums) to be married together. I think we even make reference to a couple of characters from the original (album)."
From : http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=158136
ANNIHILATOR will perform at the 2011 edition of the Festival d'Été de Québec
hardrocknews-ANNIHILATOR will perform at the 2011 edition of the Festival d'Été de Québec (Quebec City International Summer Festival) on July 10 at the Imperial Theater. This will mark the band's exclusive Canadian appearance this summer, a first for Quebec City and the first show in 18 years that ANNIHILATOR has played in North America.
Despite ANNIHILATOR's lengthy absence from North American stages, the band has been a success around the globe since its 1989's debut release, "Alice In Hell". With 13 studio CDs, millions of records sold and dozens of world tours under their belt, the members of ANNIHILATOR are fired up to show metalheads in Canada why ANNIHILATOR has earned a reputation as one of the best live international acts out there today.
Commented Waters: "Well, it's been a long, long time since ANNIHILATOR has played its home country Canada; and it's about time!
"It's been 17 years since we have played here, despite releasing records and touring Europe and Asia every year for 22 years!
"I backed out of North American touring way back in 1994 as the metal scene essentially went underground until recently. I also ended up being a single father of a young son so I also decided to go where ANNIHILATOR was 'wanted' (Europe and Asia) and spent my off-touring months at home, being a dad and working in my studio.
"Now that my kid is a teenager, and the kind of metal we play seems back in full swing here in North America, it is time to get out there and rock... and what better place to return to rock than Canada's metal province: Quebec!
"We will hit the rest of Canada and the USA soon but, this summer, some metal fans will get what they have been threatening me for, for years: ANNIHILATOR's RETURN TO CANADA!"
Despite ANNIHILATOR's lengthy absence from North American stages, the band has been a success around the globe since its 1989's debut release, "Alice In Hell". With 13 studio CDs, millions of records sold and dozens of world tours under their belt, the members of ANNIHILATOR are fired up to show metalheads in Canada why ANNIHILATOR has earned a reputation as one of the best live international acts out there today.
Commented Waters: "Well, it's been a long, long time since ANNIHILATOR has played its home country Canada; and it's about time!
"It's been 17 years since we have played here, despite releasing records and touring Europe and Asia every year for 22 years!
"I backed out of North American touring way back in 1994 as the metal scene essentially went underground until recently. I also ended up being a single father of a young son so I also decided to go where ANNIHILATOR was 'wanted' (Europe and Asia) and spent my off-touring months at home, being a dad and working in my studio.
"Now that my kid is a teenager, and the kind of metal we play seems back in full swing here in North America, it is time to get out there and rock... and what better place to return to rock than Canada's metal province: Quebec!
"We will hit the rest of Canada and the USA soon but, this summer, some metal fans will get what they have been threatening me for, for years: ANNIHILATOR's RETURN TO CANADA!"
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